The programme addresses the conditions of working semi-digitally whilst exploring the potentials of art distributed via screens to express and share subjective and collective desire. The aim of the interactive elements – the calendar and comments feed – is to build a community around these works, in support of their critical and social contextualisation. Please feel free to post.
Excerpt from an interview with Henry Broome for Spike Art Magazine:
How did Flatness first come about and what made you relaunch the platform this year?
… The new 2019 programme developed out of the political ruptures of 2016, also #MeToo, #BlackLivesMatter and the Arab Spring, movements mobilised by the internet. It’s also a reflection of my lived experience of the art industry where people of colour are in token ways hypervisible but structurally disempowered.
The platform provides a critical framework to understand social media’s empowering potential against its ultimately extractive and manipulative business models, as shown by Zuckerberg’s infamous hearing last year. I think Flatness offers a mouldable alternative. You don’t need to log in or pay to view works. The site’s free and open to all – it’s still possible to build your own spaces rather than succumb to the format of big monopoly platforms. As the founder of the World Wide Web, Tim Berners Lee said, the future of the internet relies on individuals making and adding to their own sites, and keeping control of their data.
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Web design & programming by Gailė Pranckūnaitė & Andrius Zupkus.
Supported by public funding from the National Lottery through Arts Council England.
All texts, works and images either belong to the artist, author or photographer named or are licensed under the terms of this CC 4.00 certificate.